We all have wants. And then there’s what we get. For instance I want to be able to always take pictures like this:
Too often these days what I get is photos like this:
Same with the computer: I’d like it to work consistently, not randomly toss up hardware errors that stop me from doing whatever it is I’m trying to accomplish.
But this post is not just about technology.
I mean, I want to win the lottery. That doesn’t happen either.
I want to get the cabin renovation “finished” (an ill-defined term in this context). Yesterday that seemed to be within my grasp as I acquired the last major piece of the puzzle; the tub surround. Great! Another week of solo flying and the hard part is done. My wife can then join me and I can putter around doing all the little fiddly bits.
Except I landed in the ER last night. Again. Classic cardiac symptoms, which had abated by the time I actually got there. Hours of horrific pain and discomfort to be told by a less-than-stellar physician that it was acid reflux. Sorry, doc; I have GERD and know exactly what it feels like and this isn’t it. I’ve been in this body twice as long as you’ve been alive and know all its symptoms. Symptoms which six cardiologists and four other specialists have agreed are there, but they find the cause of. This is usually because by the time you get to the doctor the symptoms have abated, as stated above. One time they put a portable cardiac monitor on me for 24 hours. Yes, you guessed it: 24 of the most symptom-free hours of my life.
Now I have been working fairly hard for several weeks on the cabin project, and it’s probably catching up with me. All I did Monday was a bunch of errands; no heavy lifting or extended significant exertion. So naturally …
I suspect the heart symptoms are tied to the whole muscular problem. In general my muscles don’t like to behave, choosing to take random actions on their own rather than follow instructions from the brain. The heart is a muscle, as are the diaphragm and interstitials. I guess they sometimes get tired of the drudgery of regular rhythm and decide to do a free-style dance sort of thing.
Anyway I survived. Again. And today all I have to do is a few errands …
Oh dear, that’s how I got in trouble yesterday.
Well if I can keep the computer going there’s more pictures to come. If I can’t …
I came in from splitting wood Saturday and found the lens cap for the Nikon on the floor. Not where I’d left it. It should have been on the camera which was sitting on the counter. Had been sitting on the counter; it wasn’t where I’d left it either. Further search turned it up on the floor near the closet, upside down with the battery door sprung open and the battery popped out. The floor is hard, by the way; not soft carpet with padding beneath or even a thick rug.
The suspects have white feet. Most likely it was Puss-puss, although her comrade Boots has been known to frequent counters too. Being cats they both like to push things off on to the floor. I have left cameras there before (beside the door; ready to shoot) without any taking a sudden trip downwards.
Now, the Nikon already has plenty of problems. It certainly didn’t need a “drop test” courtesy of the Feline Testing Group. I put it back together and tried a few shots. Focusing was not happening. It kept returning “in focus” results with EVF images even I could see were not. I kept trying, and eventually got something sharp:
The question is; will it continue to do so? It’s had a nasty knock, and it seems the functionality has become a little more random as a result. Only time will tell.
Possible culprit. (Don’t ask me how she did that.)
To start with, I looked up the average size of an adult male’s hand and checked several sources for confirmation. It’s about 19cm (7.5″) from wrist to tip of middle finger. Thus my hands are actually normal size, and not gigantic as so many of the tiny devices in our lives today have led me to believe. This doesn’t really change things, though.
Over-all, ‘handling’ is a highly subjective criterion. Gripping the camera easily is surely the main part, and secondary to that would be the controls falling into place where those most frequently needing changing would be readily accessible. This is somewhat (but not very much) standardized across camera makes and models these days, with only the occasional “gotcha!” cropping up to ruin the experience. Your actual mileage may vary, as the saying goes. So let’s look at me gripping my cameras and discuss some other minor details.
I generally have no trouble holding this camera or operating its controls (except when they stop working). The grip area measures about 4″, which is a little shy of accommodating the whole hand but does take up more than half. I’m pretty comfortable with it. My major complaint about the controls is that ISO is buried in the menu settings instead of being a dedicated knob or at least easily-accessed adjustment. There may be some way of programming that, but even if so I’d never remember where it is. I don’t like “programmable” buttons for that reason. If you only have one camera or multiples of exactly the same camera you might remember which button is set to do what, but … not me.
As you can see it’s a little smaller handful than the Nikon, despite having a larger sensor and generally being about the same body size. The ‘finger grip’ in front simply doesn’t stick out as far. Still very usable, and some of the small controls are more sensible on this camera. Of course there’s no zoom control because of the detachable lenses. The ‘PASM’ dial, which also serves as the on/off switch, on top is fine. The ISO access button on the back is okay. Adjusting shutter speed or aperture when in the respective ‘preferred’ mode is also okay with the thumb dial, but I do prefer actual dedicated controls.
I like using this camera. It has the build and ‘feel’ of a 35mm SLR. But holding it is something of a challenge. There’s almost no ‘finger grip’ and the body is small (and lightweight). Most of the controls are well-placed, and it has a door on the side for memory cards (in this case CF or xD: no SD card) where it should be. Yeah putting them under the same access as the battery is a cost-saving measure, not a better design. The settings access for ISO, shutter, and aperture could definitely be better than it is. I still like using it. Too bad the battery is failing and only lasts about 20 shots at best. Also the auto focus is abysmally slow. Then again it’s an old (by digital standards) camera, dating from 2007.
This one is problematic in the extreme. I can practically encompass half the camera in my hand, and its utter lack of front ‘finger grip’ means my palm hits buttons on the back changing settings when I don’t want to. This can make it really annoying to use. Paradoxically, it has ‘handy’ knurled wheels for adjusting settings which are right where you can change them with your thumb – albeit sometimes you do so accidentally. Other than those problems, which are significant, it’s a good camera that takes good pictures. In some ways it’s the best I’ve got, such as the speed of autofocus and ease of adapting vintage lenses. It’s a dust magnet though, and the handling really is problematic. Oh I said that already. Did I mention the handling is problematic?
I will take a moment here to talk about lens rings. I like them. I want one for focus, one for zoom, and one for aperture out there in front like a film camera would have. None of my cameras meet that spec, although zoom and focus rings are present on some of the DSLR lenses. The Lumix has a ‘pseudo’ lens ring which can be assigned different functions such as zoom or focus or program adjustment, but it is not dedicated and sorting through the menu to find the adjustment is frustrating. The Sony’s kit lens has both a zoom button and a zoom ring which is redundant and annoying. Duplication of controls is never helpful. Using manual lenses eliminates a lot of this, but also eliminates autofocus and exposure. I see many Fujifilm professional cameras have very ‘film-like’ controls and so I envy Fuji users that. I certainly can not afford one though.
Now let’s step over the edge of the cliff into the realm of the sublimely ridiculous:
Right. Same hand, different camera. No argument about a “too small” body here! It would be great – if it didn’t weigh in at over 1.5 kilograms (more than 3 lbs.) and did have a 1500mm lens – which it would need to be because it’s a full-frame camera. Only 11MP, but great for low-light photography like night skies or infrared work because of that ‘low resolution’ in combination with the sensor size. Fairly impractical for daily shooting, though. Of all my cameras this one has the worst controls for convenience of access. Nothing is straightforward or dedicated about them, and a lot of ‘double pushing’ is needed to change things (hold one button down while advancing settings with another).
Yes if the lens were retracted I could hide that one in my hand. There are smaller cameras than this, but they do not take as good pictures. Again the viewfinder issue (it hasn’t got one) and focal length limit. But you can carry it anywhere. Besides that it’s the only one that automatically shifts resolution to get a better picture. That EXR function is quite a thing: so good that I never take the camera off automatic. This one is point-and-shoot heaven.
Is there a winner here? Yes, and it’s the *cough* Nikon P610. Were you surprised? One of the things against the P950 and the P1000 is that they are physically larger (and heavier), but offer no advantage from that increased size: they have the same tiny sensor as the P610 inside. Mostly the bodies got bigger to hold the larger lenses which at 83X and 125X respectively are probably best described as “overkill”. Or maybe “clunky”. I guess the thinking was “half an improvement is better than none”? The P610 aside, the next best in my collection for handling is the Canon T100. It is the most modern as well, with an 18MP sensor that allows some reasonable cropping (the 24MP Sony a6000 is actually an older design).
I don’t know how a Canon SX70 or Panasonic FZ80 handles and it’s unlikely I’ll find out. There are no camera stores near me and the closest is over 2 hours’ drive away, with no guarantee they’d have what I want to look at.
Even if I could afford it.
Addendum: adding a picture of the Pentax K100Ds. As you can see it fits my hand as well as the Nikon does, and indeed is a very nice-to-handle camera. It has a few faults, though: it’s only 6MP which I find too low for my usual photography (even though the images get shrunk way down before presenting), I’ve only got one auto lens for it and any new one costs as much as a lens for the Canon or Sony, and the pentamirror is desilvered to the point where not only are there large black spots in view but the light transmission is lower than normal for a DSLR. But it is a nice camera. I would have had the slightly newer K200 but ego-Bay killed me before the sale was complete. Another thing to ‘thank’ them for.
So much going on I didn’t know which way to turn. It has taken me days to decide just what the “weekend post” would be of/about. Thus it’s a sampling because I couldn’t make up my mind.
I’ve been ‘trying out’ the Canon lately to evaluate it as the next ‘main camera’ to use. I like using it but it simply can not do the things the Nikon P610 ‘bridge’ camera can, so I find myself repeatedly grabbing that instead when going out.
I have stopped using the Olympus for now. Not just because the battery is failing and I’m loathe to put money into it, but also because I need to force myself to evaluate the future of photography for me and it is unlikely the E410 is the answer no matter how much I like using it.
What with everything everywhere being as bad as it is (yes, my wife is still in England with no return date even guessed at) switching to “artistic” photography only is about all I can do. I loathe the idea of it as I do very much like taking wildlife photos. You know: pictures of birds I can’t actually see because they are small, far away, and hidden in tree branches. Do I need to mention the failing camera + failing eyesight thing again? No. Not going to say anything about the triple digit inflation rate around here either.
Just trying to keep my sanity together. Remind me again exactly why I should do that.
More analysis coming up. Er, camera analysis that is. I could probably do with the other kind as well, to be honest.
There are so many problems in my life right now that not only am I unable to keep track of them I can’t keep on top or ahead of them. Problems, problems everywhere and not a drop to drink. See? I can’t even find humour now. Well when a $3 box of cereal costs $7 and 5 lbs. of potatoes is $6 and … well that’s just part of it.
For the sake of your sanity if not mine, let’s just look at one problem: my Nikon P610. It’s still my main ‘go to’ camera, but it is going. Lately the zoom has begun stopping/starting instead of running smoothly. One day the whole thing locked up with no response from any control, including turning it off. I had to remove the battery to ‘reboot’ it. It has become unreliable. Regrettably it is also irreplaceable.
Yes I realize that is a snow scene and thus needs more exposure (I’ve only been doing this 50+ years so don’t mind me). It’s just that in addition to needing every shot tweaked on contrast it has now begun to habitually underexpose everything, regardless of reflectivity.
I have other cameras, but none of them can do what the Nikon could. Namely this:
So there’s that to contend with, alongside worsening eyesight. I know: I’ve been told to go see the doctor but I already know the results of such a visit because he told me the last time; there’s nothing can be done.
All things considered, I hardly notice the toe I broke last week. Yes, really. Trying to walk on this nightmare of ice that is renewed daily … well see what trouble Duncan got himself into? Yeah, like that.
Something good happening for a change would be nice. About as likely as a chocolate tea kettle, but nice.
It doesn’t matter how good your instrument is if you don’t know how to play it.
It doesn’t matter how good your camera is if you don’t know how to use it.
High-priced, complex equipment with lots of ‘features’ will not overcome a lack of photographic knowledge just the same as a tin-eared rock star wannabe can’t get a song out of a Gibson Les Paul. If the player has the talent though, a Silvertone will sing for him.
Here’s me playing my ol’ Sears Silvertone, as it were. I make no apologies about the boast.
Pictures taken with the Nikon P610; the camera I keep coming back to despite its ailments. I think manufacturers should be really embarrassed that their much-more-expensive ‘professional’ DSLRs can’t do any better than this low-dollar, ten-year-old ‘bridge’ camera.
Sydney J. Harris used to write columns about “Things I learned en route to looking up other things”. This is something like that, but not exactly.
Idly I am poking through equipment for sale, wondering if certain items can be fit into the revised Master Plan, and occasionally bidding on whatever I think might. This has included some rather wild detours like Sony a6000 to get the hi-res sensor and mirrorless adapt-almost-any-lens ability to switching to Nikon DSLR for the same hi-res reason or even because I want to try out some of the older, CCD equipped cameras of theirs. None of that happened. A lot of lenses passed as well.
What I did buy was some more lens adapters for the Canon EF cameras, just in case I found a Canon FD or Nikon F lens for such a price as couldn’t be passed up. In essence, the redesigned plan is to reduce the DSLRs to Canon only, because then it’s all fairly interchangeable and a lot of old glass can be easily adapted to it. Also no need to memorize six or eight different control configurations. Makes sense, right?
The only change, then, was acquiring a Canon T7 to get a 24MP sensor (1/3 more pixels than the T100 so worth the switch). I haven’t succeeded in this either, as they mostly go for more money than I’m willing to put into this project at this point. For another thing, selling off the superfluous equipment is proving to be quite a stumbling block.
Anyway, that’s the plan now: Canon 1Ds (too big and heavy for anyone else to want), replace the Canon T100 with a T7 to get higher res on the hi-res camera, keep the Canon G11 and Fuji F80 carry-along cameras, and continue using the Nikon P610 as the “daily driver” until it fails entirely. Hopefully by that point I can save up enough for a replacement like a Canon SX70.
Oh and one other thing: try, try, try to avoid buying any more equipment just because it’s cheap or interesting (and cheap). Sensible, right? Right. Let’s see me actually manage to do it.
Now off to one side I come across this blog by favourite writer Eric L. Woods: A Sigma dp2 Quattro Fascinating camera. The Foveon sensor is built like a layer of colour film, and the results show. Several of the other X3 write-ups I found dismissed the design as though they were written by people with stock in other sensor manufacturers or something. Much of it was confused and contradictory so I guess maybe they didn’t understand it. Personally I like the concept and the results.
I also like the fact they didn’t go crazy on cramming “features” into this camera. It has some faults to be sure, like no EVF. Considering how expensive it is that’s just stupid. But largely it is a digital camera for a film photographer. Too bad about the price. In my “ideal” camera design I can see that Foveon X3 sensor as a key element.
That’s all as maybe. I have to try and focus on my current projects, including the wood harvest that has just started. It’s been difficult as the still-present smoke makes me cough almost instantly when I so much as talk, never mind work. I got a lot done yesterday when there was no smoke about, so timing is vital to success.
In the meantime there’s only a few more things on e-Bay I want to keep track of. Just in case.
About five weeks into the healing time for my eyesight. It is definitely better, but also definitely blurred. What is more, my ability to pick things out has decreased noticeably. For example I can see large/distinct objects near or far. I can see small objects up close. But spotting small objects that are not near, such as a song sparrow in a pine tree, is no longer possible. Since I like taking pictures of birds and they are often small and in trees this is something of a disadvantage. I have nabbed a few shots, all less than perfect, by virtue of triangulating on sound and spotting movement then pointing in the general direction and hoping the bird is somewhere in frame. All too often it isn’t.
So I am re-learning photography or learning to do it differently or learning to do different photography or all three and possibly more.
In this episode I’m exploring the fact that using a camera only one way is a mistake, so here I’m trying some close up shots. This not only exercises my ‘spotting ability’ but also my ‘in-focus guessing’ as well as ‘composition assumptions’ and even ‘exposure estimating’. These even though the camera automatically picks focus and exposure, albeit not always correctly as the Nikon has problems of its own.
I think I’m improving on most areas, except focus/sharpness. I simply can not tell even in the final image if things are a sharp as they should be. Whether there’s going to be further improvement in that area I don’t know.
Currently I’m toying with the idea of changing my camera arsenal. The lens is the thing, right? So instead of having four DSLRs and five lens systems, why not one camera with adapters as necessary to attache whatever best lenses I want? That way there’s only one set of controls to use and even though they’d mostly have to be operated manually – well I do that anyway. More on this plan later.
The best news of late is that we had some rain. Enough to make a difference on some of the fires including downgrading a couple and lifting some evac alerts/orders. But it is far from over and the weather is headed for hot and dry again.
Almost three weeks since getting my eye ‘welded’. Improvement seems to have stopped. At this point I’m not expecting any more.
Which brings us to the process of re-learning how to do photography when you have one not-so-good eye and one even worse eye. Especially since the latter used to be the good one. Also cameras tend to be designed for “right eye-ers” and that’s the one off the list now.
So with my usual analytical engineering ways I’ve broken the process down into three parts: imagining the image (or “finding something to take a picture of”), clicking the camera (or “actually getting something recorded”), and processing the pic (or “creating the final product”). Each of these has proven to be challenging, to say the least.
Imagining the image:
Big, big problems. Not only do I no longer see clearly but I can’t seem to pick out a scene within what I’m looking at. Before I could see multiple potential images in any given view, and now I have difficulty determining what I’m looking at. This is not some insignificant occurrence, but rather a thing that makes me question if the blood vessels in the eye weren’t the only ones that broke. There is a decided disconnection between what the eye presents and what the brain understands.
For the most part I have worked around this by ignoring the potential scenes of texture and detail, instead concentrating on the more basic form or object view. Not being able to pick objects out of a scene is still a concern, but if they are large enough in context of the view I can usually do it.
Clicking the camera:
I have my two ‘best’ cameras with me; the Nikon P610 and the Canon T100. The Nikon has its problems with focus, zoom, and exposure. Indeed a piece of it fell off the other day but I was able to find it (purely by chance) and glue it back on. It’s old and failing like me, but the lens is incredible and the camera is flexible. On the whole it’s working, even though the EVF in combination with my eye makes using the LCD for framing more attractive (albeit cumbersome). The Canon … not so much so. Not as flexible as-is, changing lenses is a pain and my experiments with the manual Pentax lenses (a favourite way of using this camera) were a disaster due to the changes in my eyesight. This camera relies more on the photographer, and the photographer is now sub-par. I have not had many good results.
Processing the pic:
Disaster. Of the three aspects this has proven the worst. Bringing what I think is a good picture up on the ‘big screen’ has resulted in a lot of disappointment and instant discarding of images. Looking at pictures on the cameras has never been good for me, and is now nearly impossible. The first thing that usually occurs is noticeable problems with framing, focus, and exposure. My left eye doesn’t see the view right, I can not tell at all if it’s in focus (and even look at the wrong place for the focus dot on the Canon), and for someone who could guess manual exposure accurately … Okay 80% of the images just aren’t worth trying to work with. That’s way down from 80% of them being perfectly acceptable.
Then there’s making actual changes. I can usually get the framing & composition corrected on the computer’s 15″ screen, but I’d now like a higher resolution laptop and possibly 17″. Exposure fixing has been a challenge because I’m really unsure of how it looks after I’ve changed it. Thus I have tried to limit things to the 10% contrast increase I know the Nikon requires and little else. Focus? I’ll try the “unsharp mask” off and on and see if it’s noticeable, and that’s about it. In other words processing is even more minimal than usual.
Now here are the best results with the Nikon P610 so far. I honestly don’t know if they are really any good and would appreciate input from people with working eyesight.
The wildfires continue to make everything extra difficult around here, from lighting to just breathing. Waiting it out and practicing with the cameras while I do. I thought about buying some more equipment but there’s really only two items I want and they’re both habitually over-priced. Besides, if I can even use what I’ve got more isn’t going to magically make things better.
I wait for the doctor to say the eye is as healed as it will get and I can go back to doing things, and wait for the fires to go out so I can go back to doing things, the things that need doing pile up. The ugly truth is I need to change my entire lifestyle, but I see no way of making that happen either.