Right: I’m skipping the bit about spending $250 on a 97¢ surgical mask. (Okay, it was actually a trip to the dentist – who evidently is making up for lost time and income.) Let’s go right to cameras because they’re more fun.
The best/worst suggested solution so far to my continuing low-eyesight shooting problem: buy a Pentax 645D. Why yes; I bet a medium format DSLR has a really big, bright viewfinder that would work well. I can’t get past that $2,000+ no-lens price tag, though. Pretty sure a long focal length lens would be problematic as well, even with 41 MP to crop from.
Now let’s veer off course a bit so I can complain about how bad cameras are at video. Sure, I don’t do video. But in the interests of all the people who do I had to take a look at how well it’s being handled these days. I actually have two cameras which are acclaimed for their video abilities: the Lumix ZS60 (which actually can do 4k) and the Sony a6000. In reality they both suck at video. Why? Number One Problem would be “controls in the wrong place”. Believe it or not, when it comes to ‘push the red button’ videography the old Nikon wins again, and it’s not even HD. After reading and watching a lot of people’s reviews of various cameras they use for video I can’t help feeling that it’s the ultimate case of equipment designed to make money not produce results. For one thing, external microphone jacks are missing on most of them. The built-in mikes have built-in problems that can’t be gotten away from by any simple means, other than taking the mike off camera. Also there is far too much reliance on LCD viewing rather than a decent viewfinder, and guess what; many people are finding it hard to see what’s happening when they shoot in broad daylight. Well colour me not surprised. Other frequent complaints include that the mikes pick up more camera noise than sound, and that the focusing swiftness leave much to be desired.
Manufacturers might try listening to photographers, you know. I don’t do video and even I could design a camera that would be better at it than what’s out there now. This is because no matter how good, the video is always an add-on afterthought rather than a goal to achieve from the start. As it is you have to spend some serious money to get anything that’s good at it, far more than you spend to get decent stills (we’re not talking about smart phonetography* here of course). That means you end up buying a lot of ‘features’ you never use. Does that sound familiar? So I now have much empathy for videographers as it seems they are suffering from the same lack of attention from camera makers that still photographers have to put up with. That is fundamentally wrong in every way.
You know, no one ever gives me anything for free. Except a bad time of course. Gee, do you think any of those companies has read my ranting and determined I’d be a poor risk for product evaluation? Nah, they’re not that smart. Obviously it’s simply that they never see anything I write. Lucky bastards, eh?
Well now next week the ice should be off the lake and the snow off the road so I can go take a ‘first look’ at the cabin for this year. I will license the Nissan and check it out, fill it with too expensive gasoline, and give it my best shot. Ooh that’s going to be another $1,000 expense right there.
My camera plan for the trip is to charge up all my Canons: the G11, T100, and 1Ds. That’s probably a mistake because the Fuji and the Nikon are better suited to handling all the conditions I might encounter, but we’ll see. As with everything else, subject to change without notice.
*New word: phonetography; taking pictures or video with a smart phone. Registered Trademark and sole copyright are mine. If you use it, you owe me $1.