1Ds with 28mm

The weather has gone lousy again so it looks like photo shoots stop for a while. Of course it could all turn around tomorrow: it does that at this time of year. Still not clear enough to go to the cabin, but maybe next week? We’ll see.

In the meantime I took a few shots with the 28mm f3.5 Super Takumar on the Canon 1Ds. This is not my favourite lens for this camera. It works fine and is plenty sharp of course, but it doesn’t ‘fit’ right in terms of taking pictures. In fact the lens-body combinations that work best (to my eye) are the 50mm on the full-frame 1Ds, the 35mm on the Pentax K100s, and the 28mm on the Canon T100 (the last two are APS-C sensors with 1.5 and 1.6 crop factors respectively). Not really a surprise as that’s as close to ‘normal’ lens/body combinations as you can get with these equipment choices.

So let’s see the pictures.

Dead rose hips. Square format for purposes of composition.
Hat tree chain saw carving made by my friend Lorne. Remember digital doesn’t have to have rigid dimensions.
Detail of the carving showing the woodpecker peeking out.
Marley napping. This is a segment of full-frame to see how well it stands up to magnification. Okay.
Winter colour. The tones of this camera are subtle.
Sit, Marley! Checking the dynamic range which is good.

A quick on-line check shows the shutter count on this camera is less than 31,000 – which means it will probably outlast me since they are supposedly good to 150k.

I have yet to try this out on night photography due to lack of weather co-operation. We have already got to the point where you have to stay up ’til 10:00 PM to get a truly dark sky, and that will get worse as we near the Summer solstice and get almost 16 hours of daylight!

There are only two things I don’t like about this camera. The first is the weight, which is enough to relegate it to studio-only work. I can’t imagine even a young photographer gaily toting this 3.5 lbs. body plus lenses over hill and dale. Sure, I’ve handled heavier cameras but that was when there was no choice. It makes me wonder if this wasn’t the driving force behind mirrorless design; all for the sake of weight!

The second issue is the controls are pretty badly thought-out. Many of the most-used items (like ISO) are stupidly complex to operate or are in dumb locations. That big turning wheel on the back for selection is absolutely moronic: four simple arrow buttons like everyone else uses would be infinitely better. The major selections for operation are again stupidly done, where a simple PASM dial would be welcome. Even the ON/OFF switch is poorly located. I think no photographer was involved in the design. For my purposes this isn’t a major issue because I usually “set and forget” things in advance – a particular camera has a particular job and doesn’t get altered from the best settings for that job. The exception to this is the ‘experiment’ camera (Canon T100) which suffers all sorts of changes depending on the experiment of the time.

Otherwise I like the larger sensor size for giving exactly what was expected of it. I don’t see it as the miracle solution for bad photography it is often subliminally touted as – by the same people who think more megapixels cures the same problem. I still haven’t tried it for astro or landscape really, and that’s what I really want to do with it. I don’t think I’ll be buying any more lenses for it specifically, other than in so much as the T100 also takes EF lenses.

Time will tell.

I, eagle

Tracking a bald eagle on a gray afternoon with the Pentax K100DS and Vivitar 135mm f2.8 lens (202mm equivalent). “Full manual” with focus, aperture, and shutter speed pre-set. Except for the last two images, each picture is a 640×426 crop of the full size. Processing included sharpening, +10 contrast (dull day, old sensor), and smudging the flaw spots if they appeared in the image. This is a 6MP camera; these frames are basically 1/16 full size. That is a lot of digital zooming for such a low resolution imager. Notice the sky colour changes as the bird moves from being front-lit to back-lit flying into the light.

Moody on Monday

It got cloudy Saturday when I was out working at the cabin. It started raining while I was on my way home. It rained Sunday. Gray days, gray days. No bright and beautiful sunshine to work with, so work with the gray.

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Mt. Timothy
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Canadian Bald Eagle
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The eagle keeps circling
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In the ominous sky
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This is the third time I’ve accidentally created this ‘superimposed’ effect
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Mercury Sea Shipwreck

There’s more work to be done out there. Always more work to be done. But it can wait for a sunny day.

Look! Up in the sky!

It’s strange because our airports are basically shut down, yet I keep seeing jets overhead.

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Fed Ex
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Atlas Air

When I’m at the cabin the view overhead is a bit different:

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Bald Eagle

Of course we get water traffic as well:

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Common Loon

In the woods you can hear lots of birds, but you usually can’t see them. Here’s one I did see:

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American Robin

I got some work done while I was there, but didn’t quite finish the job. Oh well, at least the scenery is nice:

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