The Lumix has landed

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My Panasonic Lumix DMC-ZS60

A week later than it was supposed to, and just in time for the weather to turn against me. Trying to take preliminary shots with it for a try out is thus a challenge. But first, let’s address some of the “issues” mentioned in some others’ reviews.

One person wrote that it was “awkward having to hold the camera up to your eye”. Uh-huh. Unlike the several million cameras in history that you have to hold up to your eye? Or maybe it’s less awkward to hold it 18″ from your face while the sun beats down on the LCD display so you can’t see anything? I guess he missed the part where the display on the back of the Lumix also works for viewing, and automatically switches to the eye-level finder when you put your face to it. Another reviewer praised its eye-level finder, and I’ll go with that one. The only odd thing I noticed about it is a kind of lag-and-blur when moved rapidly, which isn’t an issue unless you’re shooting something moving.

A common complaint is that the instructions aren’t clear. Hmm. Which ones? English, French, or Spanish version? Maybe not the best example of technical writing (none of them are), but patience reveals what you want to know. I think some people are just in too much of a hurry and want to instantly transfer the entire content of the IB to their brains like downloading a file. Sorry, can’t do that. Not yet. Heaven help us on the day that we can.

While we’re at that point, let me say the first “problem” I noticed is that this camera has a lot of features. Typical of the genre, and to my way of thinking this is a mistake. It tries to do too much, and whether or not it succeeds is ultimately up to the user. A good user can make a limited camera do a lot, but a poor user can not be saved by a more complex camera. It’s what we call “too many variables”. For me, I know that a lot of the Lumix’s functions will be left untouched – as is the case with all my cameras. Not just movie mode either. And shall I repeat my mantra of the need for dedicated controls? There’s a nice “control ring” on the front of this machine that can be used to adjust various settings. That is, once you figure it out. I haven’t yet.

Nor have I had enough time or daylight to give this camera a good test run. It seems in the 3 hours it took to get the battery charged the sunlight ran away and there’s little promise it will return any time soon. Some of what I did shoot revealed a few things I don’t like. Mostly the controls lack intuitiveness, especially in the menu system. Well that’s the #1 failing of them all, isn’t it? Practically the trademark of cameras designed by not-a-photographers. Still, you can work around it. Once you have your camera set the way you like, how often do you really change it? You that is, not me; I change things a lot in my experimenting. In this case I don’t expect to make a lot of changes as this is chiefly meant as a carry-it-with-me-in-case-I-see-something camera.

Now what failings in operation have I found already? There is some noticeable distortion in the widest view, whether near or far:

You can see the ‘bending’. The widest focal length is listed as 24mm equivalent in 4:3 aspect ratio (it has others, including 1:1). Really should not be seeing so much distortion at those numbers. I have other cameras that manage such a wide setting without it.

It does not handle the cloudy conditions well. Not only is the white balance wrong (even when set to ‘cloudy’ or ‘shade’ – never mind automatic), the exposure is consistently 1/2 stop under. This can be compensated for, but until I see some full sun shots from it I’m not going to. “Set and forget” is the watchword, and I’d rather have to spruce up the occasional underdone shot than live with overexposed ‘normal light’ images. Also the contrast seems a tad low on all the pictures, even those taken with flash. I was so surprised by this that I checked to see if it was my computer screen failing. Nope; other cameras produced crisp pics as usual.

The biggest disappointment came from pixel peeping, a practice I don’t ordinarily do. I wanted to see how sharp the famous Leica lens was. Oh dear, look what I got:

eye
The eye doesn’t have it

That is a 640 x 480 segment of a full size 4896 x 3672 (18MP) image. Looks like an oil painting, doesn’t it? Not only is the Leica lens not as sharp as my Nikon P610 (never mind the Super Takumars), the rendering isn’t as good as the 18MP Canon T100.

Now, is it as good or better than the Kodak V1003 it’s meant to replace? I don’t know yet. I need to try them side by side in decent light and at the moment the weather is not conducive to taking pictures. Or even walking around for that matter: we’re at the temperatures where we have melt water on top of packed ice and it literally isn’t safe out there.

In fairness it is possible to take a halfway decent picture with the Lumix:

P1000007

But frankly it’s not off to a good start. I’m sure it will suffice, although I’m also thinking a Canon Elph would have done for about 1/2 the money.

I have since come across a deal on a Fuji X-E2, and am reluctant to buy it because of the disappointing results of my last two camera purchases. I suppose I should be glad I didn’t spend Sony Alpha money to be disappointed.

5 thoughts on “The Lumix has landed

  1. Hi Marc, Erm…. not good news is it…. well not what you were expecting lets say…. I have to say that when I switched to Fuji… I haven’t looked back… but like many cameras of today.. the best results come from OEM glass… and fuji glass isn’t cheap… I have the XE1 with the 18/55 f2.8 OIS and although billed as a kit lens its far far better than you would think and how it gets the tag of a kit lens is beyond me in all fairness… although switching to fuji aint cheap… I am a firm believer that the quality of the products produced are superior to others on the market… ie, metal mounts against plastic etc… and you always feel that the fuji gear is of a similiar ilk to the greats in so much as it will literally last a lifetime… even given the abuse we as photographers do give our kit especially in difficult scenarios of rain, cold, heat and even the odd bang and bruise…. Its a pity you can’t get to see some of the fuji gear in a camera shop setting as I am sure that you would be impressed by the quality, and yes all the cameras of today have their quirkes…. as does some of the fuji gear… having the “film effects” is also a real bonus…. good luck with the new camera….I would not dismiss looking at the xe2…. I’m currently on the lookout for a xt1… again a older fuji… but one with more than sufficent settings for my want from a camera… hope the weather clears for you to get out an about with your new toy…. best regards… Lynd

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    1. Tok. What I really need right now is some decent shooting weather to try this Lumix out in. Asking it to perform miracles in cloudy conditions isn’t fair. It’s supposed to be sunny Monday, so I’ll slip it in my pocket and take it to town to see what can be done.
      I’d love to have a Fuji, and no doubt will one day. But at the moment I can not justify the expense. What I really need now is that thing money can’t buy: good photo opportunities.

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      1. Hi Marc,

        Totally agree…. and seeing your follow on posts it seems you had a bit of good fortune and the sun gods were in your corner…. I am a little surprised to be honest that the pics straight out of the camera arent’t to your liking and requiring a little tweaking…. as Lumix have such a following that it does make me think …. is it just because its a new camera and you have not yet found the “sweet spot”… good luck marc… there is nothing worse than a camera arriving and realising its a disappointment… of course it may also be that the Kodak you had is a “sleeper” of a camera…..
        good luck…. Lynd Toki…

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      2. I expect the Lumix will do better once I’ve played with it enough to get the settings the way I like. But there is nothing I can do about the somewhat disappointing lens.
        Unfortunately the sun has run away again!

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